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Frank Lloyd Wright (1867-1959) is recognized world-wide as one of the greatest architects of the twentieth century. His work heralded a new thinking in architecture, using innovation in design and engineering made possible by newly developed technology and materials. His creative ability extended far beyond the border of architecture to graphic design, furniture, art glass, textiles, and decorative elements for the home.

The Frank Lloyd Wright Autumn Sumac Stained Glass is adapted from a window in the Susan Lawrence Dana House in Springfield, Illinois, featured Mr. Wright's repeated design of the native prairie Sumac plant, in an abstract form. The rich amber and green colors in the glass give the piece an autumnal feeling. The original window was one of a pair located in the reception hall of the house. This stained glass panel has been developed in association with the Frank Lloyd Wright Foundation.

The Frank Lloyd Wright Barton House Buffet Door Stained Glass is inspired by the built-in buffet in the home that Wright built forD.D. Martin's sister and her husband in Buffalo, New York in 1903.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The glass is then metal framed and includes both a hanging chain and a wooden plaque base.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass

The panel includes a copper patinated frame, gorgeous wooden base stand, and matching chain for hanging.

The Frank Lloyd Wright Robie Stained Glass Suncatcher is adapted from one of the distinctive art glass doors in the Frederick C. Robie House, located in Chicago, Illinois, designed in 1908 and completed in 1910. Its dramatic horizontal appearance is enhanced by banks of art glass windows and doors. The handsome geometric designs, twenty-nine of which are uniquely different, although all follow the same theme, were also created by Wright.

With the art glass, he created the illusion of a secluded private environment, with sunlight filtering through the art glass to enhance the interior space, yet with large areas of clear glass in the designs allowing a view of the exterior landscape.

The Frank Lloyd Wright Coonley Playhouse Right Window Panel Stained Glass Desktop Plaque is based on one of the panels in the Avery Coonley Playhouse, Riverside, IL. Unlike Wright's early designs with their nature derivations, the Playhouse windows are purely geometric in composition and feature bright, mostly primary colors. This design may have been inspired by a parade, the colored glass simulates a haphazard, yet controlled, arrangement of balloons, confetti and flags.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The panel is wood framed in black with matching stand.

This Frank Lloyd Wright Thomas Entry Ceiling Light Stained Glass is adapted from the art glass pattern Wright designed for three vestibule ceiling lights in the Frank Thomas House, Oak Park, Illinois (1901). This project was designed and built at the request of Mr. James Rogers as a wedding gift for the client’s daughter and son-in-law.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The glass is then metal framed and includes both a hanging chain and a wooden plaque base.

This stylized design of a desert landscape is adapted from “Saguaro Forms and Cactus Flowers”; one of a set of magazine covers Frank Lloyd Wright designed for Liberty magazine in 1927, but was not published at the time. Since then this design was re-created by Mr. Wright in 1955 for a rug, and was also adapted by the Taliesin Architects for an art glass window installed in the 1970s remodel of the entrance to the Arizona Biltmore Resort in Phoenix, Arizona where it can still be seen today.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The glass is then wood framed and includes a wooden plaque base. Hanging hardware is also included with the stained glass so that you have dual function to this masterpiece stained glass art.

This Pretty Seashell Conch With Corals Figurine With Mosaic Like Crushed Glass measures 3.5" tall, 7" long and 3.25" deep approximately. It weighs about 7 ounces.

This Pretty Seashell Conch Figurine With Mosaic Like Crushed Glass is made of high quality designer resin and crushed glass, individually handpainted and polished. Color tone may vary from pictures.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass

The panel includes a copper patinated frame, gorgeous wooden base stand, and matching chain for hanging.

The Frank Lloyd Wright Robie Window Stained Glass is inspired by a garage window design in the Frederic Robie House in Chicago, Illinois. The geometric lines of this Frank Lloyd Wright window stained glass reflect other accents Wright designed throughout the house. Their color and delicate geometric diamond and chevron shapes are abstractions of the surrounding foliage.

On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The glass is then metal framed and includes both a hanging chain and a wooden plaque base.